Quantcast
Channel: Metal Bandcamp
Viewing all 1162 articles
Browse latest View live

Aaron's 2013 Year End List

$
0
0
Written by Aaron Sullivan.

Never been one for arbitrary numbers. Nor ranking one album above another. Instead, this list reflects the albums I enjoyed the most this year, metal and non. Maybe some of your favorites are here also, or maybe I can turn you on to a few you were not aware of. Either way here it is:


Deafheaven - Sunbather

If forced to pick a number one, it would no doubt go to Deafheaven’s album Sunbather. I was such a fan of their demo when it was recommended to me by Last F.M. towards the end of 2010. It was exciting to hear how they mixed their BM with Hardcore and Post-Rock. It was so emotional. Then came the second album and it felt too straight forward. I dug it. But not like the demo. Hearing that a new album was coming out was exciting, but I was also a bit tentative about how it would sound. My first time hearing the album was live when they opened for Boris in May. They had the album there for purchase, vinyl only, so I passed. Then they opened with "Dream House". By the end of that song I had determined I would be purchasing the album before I left that night. The songs hit me much in the same way the demo did. It was all there. The ebbs and flows that I loved about the demo and more. Songs were vibrant and alive with emotion. I declared then and there it was my album of the year, and despite many great challengers, it was not beaten. I’m sure it will appear on many a year end list. One more couldn’t hurt (Be sure to check out the great review of this album by Justin C).


[Go to the post to view the Bandcamp player]


Primitive Man - Scorn

This is the closest any album came to topping Deafheaven for me. The band self released the album in February, it’s a monster of a record. To call it dark and angry is an understatement. I don’t even want to tell you what goes through my head when hearing this album. As I said in my review, “You get the idea from looking at the cover this is not a safe record with some cool riff and songs about drinking beer. This is as intense as the cover would have you believe. Songs have heft and weight to them. There is an underlying anger and ominous aggression no matter the pace of the music. It’s a vibe set early and often.” I had the pleasure of hearing them live this year. As intense if not more so than the album.


[Go to the post to view the Bandcamp player]


True Widow - Circumambulation

A great band I found out about after their second album thanks to a friends year end list for 2011. From the first listen I fell in love with this band. Their mix of Stoner and Shoegaze was unlike anything I had heard before. Closest example I can give, is think later Earth with vocals. Bassist Nicole Estill and guitarists Dan Phillips both providing those vocals. The music they make along with drummer Timothy "Slim" Starks is sparse and airy yet somehow have these great heavy riffs at the same time. The drums are huge and complement the music with their quiet thuds. "Four Teeth" is THE single of the year. Three albums in and they show no sign of going stale. Another band I had the pleasure seeing live this year.


[Go to the post to view the Bandcamp player]


Owlfood - Destroyers of the Moon

Another great find by a friend who was kind enough to pass it on to me. Their brand of Dronish Ambient is very close to later era Earth, as I said in my review, “Owlfood music is able to give me the feeling of being outside in a vast desert with mountains far off in the distance, gathered around a campfire as the sun sets on the horizon. The album is 7 tracks but is to be heard as a 27 minute piece. There are no pauses or gaps. One song goes right into the next so that the experience is never lost.“ Super chill music for a cold night.


[Go to the post to view the Bandcamp player]


Skagos - Anarchic
I wrote a review for this album back in June stating that I was not really sure how to best describe this album, and here we are at the end of the year and I still feel the same way. But I’m realizing that is the very thing I love about it. It’s not an album that can be summed up in a single sentence. But it is one that makes for many enjoyable listens. Everytime I hear it I catch something that I had not heard before. I love that sort of thing. As I said in my review, “It really is something that just has to be heard. To take something out is to lessen the overall. This is an album to get lost in, to be experienced from start to finish.” Very excited to see where this band takes itself next.


[Go to the post to view the Bandcamp player]


Pendulous - Mirrored Confessions
Very excited to have these local guys on my year end list. Even more excited they have something on Bandcamp so the world can hear what I have had the pleasure of hearing for some time. Heavy on tone and heavier with emotion is the debut from these guys. As I said in my review, “The combination of Death DOOM and clean atmospheric parts are well done. Heavy when it is needed while also allowing songs to breathe and resonate with the listener.” Vocals are great mix of the Death style and clean vocals that have a Patrick Walker vibe to them.


[Go to the post to view the Bandcamp player]

Liar in Wait - Translations of the Lost
Of all the albums on this list this one may have actually got the most spins of them all. I think it is attributed to two things. Length of the album (just a four song E.P. really) and just how good it is. It features two members of the amazing Blackened Sludge outfit Wolvhammer, but this is not Metal. This is described as Coldwave or Darkwave. I’ll be honest I have no clue what that is. Not genres I am all that familiar with. But this album is just great. Gothy with with a low monotone Bowie-esque vocal style that I just love. Guitars float over you. And a feeling of darkened sadness looms over it all. It also has a cover of a Fields of Nephilim song. Love love love this album (The Liar In Wait Bandcamp is streaming only...)


[Go to the post to view the Bandcamp player]


Chelsea Wolfe - Pain is Beauty

I LOVE THIS WOMAN! (hopefully the wife won’t read this) I was first made aware of her because she had the opening slot for a Wolves in the Throne Room show. I’ve been gaga for her ever since. Truth be told this album was not one I immediately liked. Not being a big fan of electronica and being a big fan of hearing her amazing vocals, this one took a while to get into. But when it hit, it hit hard. In many way this may be her most diverse album yet. But the thing I love the most is that with four albums to her name she has stayed consistent without repeating herself. Constantly pushing forward while staying true to her core. Highlights for me are, "They'll Clap When You're Gone", "House of Metal", and "Destruction Makes The World Burn Brighter".


[Go to the post to view the Bandcamp player]


Life Leone - Comes Crashing In

It’s bands like this that keep me showing up to shows early to catch the opener. These guys opened for Vista Chino (what Kyuss calls itself now). Had no clue who they were or their sound. But when they started playing I was all ears. They have this interesting mix of fuzzy Desert Rock riffs, and Indie feel to them. Songs are very catchy and you’ll find yourself singing them in your head long after hearing them. A great record to hear while driving.


[Go to the post to view the Bandcamp player]


Panopticon/Vestiges - Split

I love when an album comes with surprises. Anyone who knows me, knows I’m a Panopticon fan boy. Austin Lunn can do no wrong. Whether Panopticon, Seidr, or Kolga the man is always a part of quality music. And this split is no different. The songs lean more towards his Atmospheric Black Metal side then the American Folk infused Black Metal music on his Kentucky album (a 2012 album of the year for me). The third Panopticon song is a cover of of Suicide Nation’s "Collapse and Die", but the surprise for me was Vestiges. Having no idea who they were and going in blind, they impressed. Their Crusty Black Metal has hints of Post-Rock and great atmosphere. This is a great pairing of bands. It does what a good split should do. Pair two great bands that compliment each other. If your new to either of these bands this split is great introduction.


[Go to the post to view the Bandcamp player]


Batillus - Concrete Sustain
CRUSHING!! Another one of those bands I was way behind the rest of the crowd. I missed their debut. But hearing they were playing a show here in L.A. to support their new album, I thought I would check them out. WOW! Their Industrial tinged Sludge is one that kicks you square in the face and your only answer is, “Please sir may I have another?!?!” Great atmosphere throughout and songs that are more to the point then their first album. The song "Concrete" is a great opener. It makes you feel like smashing through a concrete wall (that’s a good thing). This was an album that was an early frontrunner for album of the year for me. Seeing them live was also a great experience, highly recommended (Be sure to read the great review of this album by Justin C).


[Go to the post to view the Bandcamp player]


Jex Thoth - Blood Moon Rise
Along with Lori from Acid King Jex is one of the great women of DOOM. Her songs are are part Stoner Rock, part DOOM, and part psychedelic rides. Her vocals are perfect balance of feminine and powerful, a female shaman if you will. There is a mysticism to her lyrics. But also some wisdom, as found in the track To Bury.
“Remember this my friend, and the less you’ll have to bury. The more we keep collecting, the more we have to carry.”
It was five years between the release of this album and her amazing debut. But as they say, good things come to those who wait. (You can only stream one song from Blood Moon Rise, but be sure to also check out her work on the first Sabbath Assembly album).


[Go to the post to view the Bandcamp player]


Torres - Torres
Female singer songwriter Mackenzie Scott who records as Torres. Her breathy vocals sung over her Indie style makes for a great album. Reminds one of P.J. Harvey or Cat Powers at times. Recorded live and minimalistic in sound. Lyrics are as if she is reading from her personal journal exposing raw nerves for all who wish to listen. One of those one off finds you were never looking for, but oh so glad you found.


[Go to the post to view the Bandcamp player]


Usnea - Usnea

What an album! One I put off listening to for reasons I can not explain, so I urge you not make the same mistake. Just crushing. Their Blackened DOOM along with touches of Post-Rock and Sludge are mixed perfectly. As I said in my review, “The closest comparison I can make is to the first Altar of Plagues album. Not in terms of sound but how they can blend genres within songs and the album. There is an atmosphere of darkness that runs through this entire album. Even when it gets quiet (and that is not much at all) you never feel safe. You know darkness is lurking just around the next riff.” Fantastic debut.


[Go to the post to view the Bandcamp player]


Jesu - Everyday I Get Closer To The Light From Which I Came

Yet another band that I really should have gotten into much sooner but didn’t (why do I keep doing that?). Between last year and this I have bought 8 of their albums to make up for lost time. 2013 saw Jesu return with Everyday I Get Closer To The Light From Which I Came. Over the years they have gotten a tad quieter than their debut. But the sense of longing and sadness have never lessened. Their droning riffs are filled with melancholy. This is one of those bands that scratches an itch that no other band can. Just another great album from a band that never lets me down.


[Go to the post to view the Bandcamp player]


Wolvserpent - Perigaea Antahkarana

This was band I lost track of when they were originally called Pussygut. But seeing them perform live changed all that for me. They blew my mind in what was probably one of the best shows I saw the whole year (though seeing Neurosis w/ YOB in December may beat it). As I said in my review, “Wolvserpent is a two person band consisting of Blake Green on guitars/vocals and Brittany McConnell on drums/vocals/violin. They play what would be described as Drone/DOOM. Along with that are hints of Post-Rock, Ambient, Black Metal, and enough atmosphere to paint a picture by. Think Sunn O))) meets Godspeed while living in the woods with Wolves in the Throne Room.” Man am I glad I went to that show.


[Go to the post to view the Bandcamp player]


Man’s Gin - Rebellion Hymns

This is a side project of Eric Wunder, half of the amazing Black Metal band Cobalt. I can not begin to express how much their first album Smiling Dogs means to me. With lyrics like, “So sinners unite, the sloven and weakened. If you’re beaten or broken press on frustrated.” is where I found solace during some rough times in my life. So to hear there would be another album in 2013 naturally brought excitement. The first was raw with a live feel to it. It had a Nick Cave vibe to it mixed with Americana and a vocal style that brings to mind at times Alice in Chains. The new one brings all those things back with more. This one finds Erik Wunder expanding his musical palette. This one feels like his Tom Waits inspired album because of how eclectic and, at times, how scrambled (in a good way) it feels. So many ideas going on in this album. The album also features Jarboe and the other half of Cobalt, Phil McSorley. I can never thank Erik enough for these records.


[Go to the post to view the Bandcamp player]


Here is Part 2 featuring the bands that have no Bandcamp but are among my albums of the year.


Andy's Best of the Rest

$
0
0
Written by Andy Osborn.

So much metal, so little time. Busy as we are here at Metal Bandcamp trying to dissect and divulge the best heavy releases available on our favorite service, we don’t always get around to digging in to everything we would like to cover. Hidden gems are uncovered on an almost daily basis so sometimes they just get lost in the chaotic whirlwind that is the collective mind of part-time bloggers. So looking back at the last 12 months, I’ve exhumed some of my favorite albums that for one reason or another never got a proper review. All of the following releases could be drooled over and written about at length, but for sake of brevity - and my sanity - here’s the best of the rest.

5. Speedtrap - Powerdose


Traditional speed metal came back in a big way in 2013. One of the groups leading the charge is Finland’s Speedtrap, whose full-length debut floated criminally under the radar upon its release in August. Riffs rip and twist their way across what may be a fairly standard template, but the beefy production and blistering finger-wizardry make Powerdose a perfect argument for revivalists.


[Go to the post to view the Bandcamp player]

4. Immortal Bird - Akrasia

Artwork by Kikyz1313

I was enthralled by Thrawsunblat’s effort early this year, so another 2013 release featuring Rae Amitay was a devilishly surprising holiday gift. Not sticking to a single genre, Immortal Bird sounds like they have the fires of hell driving their passion for all things extreme. The complex, ever-bending songs coupled with Rae’s vocals remind of a death metal Ludicra, a comparison I save only for the most worthy of projects.


[Go to the post to view the Bandcamp player]

3. Fir Bolg - Towards Ancestral Lands

Cover painting by Stephanie Simona

I listened to this album solely hoping to finish the laugh that the cover art started, but what this French solo project lacks in art direction it makes up for in energy and focus. It’s essentially a thought experiment in what Immortal would sound like if infused with folk influences, but holy hell does it ever work well. Fans of blackened riffage look no further.


[Go to the post to view the Bandcamp player]

2. Noumena - Death Walks With Me


2013 was an incredible year for melodeath and saw top-notch releases from genre stalwarts Kalmah, Arsis, Dark Tranquillity and Hypocrisy. But the one that surprised me the most is this fourth full-length from little-known Finnish troupe Noumena. They fuse deeper than hell male vocals with poppy female harmonies and uplifting melodies that bring a fresh sound to the usually melancholic style. You’ll be humming along to these choruses for months to come.


[Go to the post to view the Bandcamp player]

1. Satan - Life Sentence

Cover art by Eliran Kantor

These middle-aged NWOBH-ers burst back onto the scene two decades later with hands down the best trad metal album of the year. Life Sentence is a nonstop rager filled with infectious riffs, dueling lead guitars and good old fashioned metallic fun. The tight as leather songwriting is absolutely flawless as the Brits tell tales of war and strife, and even manage what may be the first appropriate 9/11 remembrance in metaldom. With better consistency and re-playability than any other album released this year, Satan have re-opened and re-written the book of British metal with this masterpiece.


[Go to the post to view the Bandcamp player]

Ulla - My Year 2013 In Review

$
0
0
Written by Ulla Roschat.

There is of course no way to log-out from this year correctly without doing a list of what was best. So here is my list in terms of music. The list is easy to read. First I listed albums I reviewed for various blogs (Metal Bandcamp, Free Your Soul, and the now closed Temple of Perdition) and I just added some lines from the reviews. Then I listed all the great releases I unfortunately hadn't have the time (yet) to review. so they stand here quasi naked, but no less loved by me. The order is only roughly be understood as a ranking. That's why I put no numbers to them.

Eibon - II


This is about 2x20 minutes of violence, dispair, pain and hopelessness with the vigorous organic intensity of a live recording. Eibon absolutely capture the atmospheres and emotions of Otto Dix's triptych Der Krieg, which they chose as cover artwork, and they transformed the painted artwork into a richly textured soundscape of atmospheric blackened doom.


[Go to the post to view the Bandcamp player]

Cultura Tres - Rezando al Miedo

Cover art from the painting "Day of Judgement" by Damian Michaels.

Intricate multi layered structures and an enormous dynamic range are the base and frame on which Cultura Tres build and which they fill with their individual blend of sludge, doom, psychedelia. blues, drone, folk and whatnot. With their unique use of bent, blue notes and dissonances they create a special sense of hypnotic creepiness and alienation.


[Go to the post to view the Bandcamp player]

Nightslug - Dismal Fucker

This is the epitome of sludge, a nasty grimy monster that crawls through your ears into your brain to rearrange your poor brain cells with unrelenting thick heavy riffs, punishing drums and vicious vocals. This is a head spinning trip through destructive rage and groove laden doom. It's bold, abrasive, brutal and slugs right into your face.


[Go to the post to view the Bandcamp player]

Cult of Occult - Hic Est Domus Diaboli


This is the devil's house and Cult of Occult cordially invite you to enter. Images of occultish doomy atmosphere. ritualistic rhythms, slow heavy abrasive sludge, waves of distortion and screaming vocals with the energy of a hot blazing firestorm accompany you during your visit in this house.


[Go to the post to view the Bandcamp player]

Year Of No Light - Tocsin


Is it the fact that the album is entirely instrumental, or Year of No Light's experience of actually having made movie soundtracks, the overall dark and orchestral sound (3 guitars, 2 drums, 1 bass, 4 of 6 band members taking care of all electronic sounds keys/synths) or their ability to create that incredible balance and tension between heaviness and atmospheric parts of which both strike with devastating emotional impact?... whatever might be to blame for creating movies in my head... who cares.


[Go to the post to view the Bandcamp player]

Lords of Bukkake - Desagravio

There's intensity all over - the intensity of direct nasty brutality, of the depressive heavy doom and of the intricate jazzy structures that drench everything in a kind of jazz-doom mood thats absolutely amazing. And Lords of Bukkake merge it all so well into an organic experience with a feel of chaotic anarchy not least because of the insanely brilliant jammy guitar solos with a huge amount of emotional impact.
YouTube

Napalm Christ - 2013 Demo


This is an utterly refreshing mixture of grinding crust HC, death, sludge and doom metal. Refreshing it is especially because Napalm Christ's style of combining the elements is so unique. They don't simply throw them all together into a cauldron and stir and boil them to one clump. Instead all is dispersed in unequal lots to the songs to give each a different taste of the atmosphere.


[Go to the post to view the Bandcamp player]

Buioingola - Dopo l'Apnea

Artwork by Virgilio

With their mix of black, ambient, post, sludge metal, some crusty HC and industrial influences Buioingola create atmospheres of darkness and discomfort in different shades and nuances. There are moments of dispair and fear, panic, desolation and sorrow and most of all there's an overwhelming feeling of melancholy and detachment.


[Go to the post to view the Bandcamp player]

Deep - Vol 1

This is a lysergic trip on a thick fuzzy magic carpet through various places and atmospheres, always carrying a bit of the previous mood to the next place and still each place, each song has its own magical mood, drawn from a variety of musical styles and influences. With a kind of wild and anarchic creativity Deep made an album that takes you on a magic trip with unexpected turns to unexpected places (Deep's Bandcamp is streaming-only).


[Go to the post to view the Bandcamp player]

Shroud Eater - Dead Ends


Here are groove ridden swampy sludge riffs, furious tribal drumming, thick driving basslines and bellowing howling vocals drenched in a haunting and brooding atmosphere. Dead Ends is a coloss, the sound is monolithic, but what amazes me most is the way the musicians play off each other.


[Go to the post to view the Bandcamp player]

UR - UR


This is a superb blend of atmospheric post metal and doom. Most striking are the slow and long build ups that are able to carry their tension into the ambient soundscapes without drowning all the subtler details. This gives the songs a kind of filigree elegance and texture still embraced by doomy heaviness.


[Go to the post to view the Bandcamp player]

Obelyskkh - Hymn To Pan

A sense of lushness is carried through the entire album. Be it the strong compelling melodies, the violent, heavy riffs, the psychedelic vibe, ritualistic chants and rhythms or even the beautiful quiet piano parts, everything breathes abundance. And this sense of lushness and abundance gets even enhanced and multiplied, because Obelyskkh max out their dynamic range and use it effectively by either creating contrasts or slow build ups of energy.
SoundCloud

Dopethrone - II


I'm sure Dopethrone have no blood running through their veins, but filthy sticky mud, pumped through their bodies by blues filled hearts. They don't breath air but dark smoke and they blow it right into your face. Their bundled energy hits hard. Thick heavy punishing riffs, tons of distortion numbs your mind to ease the way for the demonically snarling vocals to spit their venom into your heart.


[Go to the post to view the Bandcamp player]

Oranssi Pazuzu - Valonielu

Cover art by Costin Chioreanu

Colorful psychedelic space rock and cold, dark, bleak, black metal - two mood settings that are millions of miles apart from one other, one should think, but Oranssi Pazuzu show us that they don't only get on well together, but that they can create completely new atmospheres. Different styles and elements laid upon each other in varying manners, intertwining and merging, thus creating depths, intensity, and motion.


[Go to the post to view the Bandcamp player]

Boneworm - Boneworm

The songs take about 666 years to expand and pour their viscous corrosive venom into your ears to unfold gloomy soundscapes in your heart. Ostensibly unobtrusive, but relentlessly intense and menacing they carry a sense of omniscience and inescapability where no hurry or outburst of rage is necessary. You are doomed, there is no way out of it.


[Go to the post to view the Bandcamp player]

Plague Mask - The Frailty of Human Existence

Art by Václav Trajer

"Blackenedstonerrocksludgedoom"! Short as this EP is, no second is wasted here. Plague Mask experiment and play with contrasts, tempo changes and musical styles to create cohesive but varying moods. It leaves a hint and a feel of this quite young band (formed 2011) being capable of refining their already individual style.


[Go to the post to view the Bandcamp player]

Palm Desert - Adayoff


This band spends one day in the studio and comes out with an album that sounds breathtakingly soulful. It proves that brilliant musicianship doesn't necessarily need overly intricate constructions and yet is able to create exciting music that contains a veriety of moods and facets. A kind of laid-back unobtrusive attitude and tons of heartfelt tunes is all Palm Desert need to create something special.


[Go to the post to view the Bandcamp player]


Tentacle - Ingot Eye
Fyrnask - Eldir Nótt
The Disease Concept - Your Destroyer
In The Company Of Serpents - Of the Flock
Uzala - Tales of Blood & Fire
Curse the Son - Psychache
Young Hunter - Embers at the Foot of Dark Mountain
Coltsblood - Beyond the Lake of Madness
Barbarian Fist - Demo 2013
Massive Thunderfuck - Kill the Thunder (Demo)


Now having logged-out correctly there shouldn't be any problems to log-in to 2014.
Thank you Max for letting me be a part of Metal Bandcamp!
A Happy New Year to you all!


Matt's Top 5 Canadian Albums of 2013

$
0
0
Written by Matt Hinch.

I'm a fiercely proud Canadian. There's no place on Earth I'd rather live. Ok, maybe Sweden but it would take being exiled to make me move. Despite the failings of our government I still love Canada. What makes it so great is the people. And some of those people make some pretty awesome metal. Allow me to heap some praise on 5 releases from Canadian bands that really put the syrup on my pancakes this year. Sit back with a fine Canadian beer or 6 (Just not Molson Canadian) and enjoy some of the best Canada has to offer.

Note that although I assigned numbered rankings, those rankings are as fluid as a bowel movement after a big chowdown at that cheap burrito place.


5. Baptists - Bushcraft

See that image of a guy throwing a (literal) axe into a big ole tree? That's precisely what I was doing most of the time I was listening to Bushcraft by Vancouver's Baptists. Their high-potency hardcore is perfect for revving up the adrenal glands for destructive physical labour. Sometimes you gotta get mad to split skulls, I mean hardwood, and Baptists provide ample motivation. Timing the strikes with their furious downbeats leads to maximum results. Baptists are bent on sonic violence. Heaving and vicious hardcore, grind and d-beat, feedback, warped tonality and various other forms of instrument torture strike all the right cords. Pun intended. Favourite track: "Still Melt".


[Go to the post to view the Bandcamp player]


4. KEN Mode - Entrench
Sculpture by Ben Bonner

The last album from Winnipeg's KEN Mode, Venerable, earned the trio the very first Juno Award for metal (Grammy equivalent). And the album was indeed venerable. 2013 saw the mathcore madmen back and in finest form. Entrench sends shivers up my spine with outstanding musicianship on all fronts. (Seeing them live damn near put me in traction for a full two weeks. So much bangover.) No album this year caused more fits of uncontrolled epileptic seizure moshing in Casa del Hinch. Complicated riffs collide with sledgehammer blows to tear the hinges off the fragility of sanity. Monstrous hooks and intelligence raise KEN Mode to a level that could very likely earn them another Juno. Oh, and when they utilize a dual bass guitar attack (ex. "No; I'm in Control") it's positively orgasmic. The album title betrays the fact that the album is in constant motion, was will you be. Favourite track: "Your Heartwarming Story Makes Me Sick".


[Go to the post to view the Bandcamp player]


3. Shooting Guns - Brotherhood of the Ram

There's a sound echoing across the prairies where the winters are cold, and the summers hot. Carried on the winds across endless stretches of arrow-straight highway is the sound of Shooting Guns. Not literally, but rather the hypnotically psychedelic bliss jams of the Saskatoon group and their brilliant Brotherhood of the Ram.

Repetitive riffs and spaced-out synths transport the listener across the void to places where drugs can't take you. Overdriven guitars and warm-honey bass are interlaced with hardened percussion and fathomless synths/keys. Few albums got more play around here than Brotherhood and even fewer were so easy to completely give yourself over to. This is instrumental psych-rock at its finest. I get blown away every single time. Favourite track: "Motherfuckers Never Learn".


[Go to the post to view the Bandcamp player]


2. Pyres - Year of Sleep

Why are we here? Not in the existential sense, but why are we metal fans reading a metal site? Riffs. That's why. And virtually no one can bring the riff like Pyres. Debut album Year of Sleep from this Toronto outfit pushes the riff machine to its upper limit, and then pushes some more. But they still know how to write good songs. Following the path laid down by sludge forbears such as Baroness, Mastodon and High on Fire, Pyres burn their temples to the ground and build them up again in their own design.

While it is all about the riff, Year of Sleep also brings home the bacon in the tone department. Devastatingly thick and chest-caving, maximum volume yields maximum results. Work in skull-cracking percussion and vocals with enough authority to make a grizzly run for his mama and you've got the perfect formula for triumphant and all-consuming sludge. Favourite track: That's like choosing a favourite child, but we'll go with "Atlas Cast No Shadow".


[Go to the post to view the Bandcamp player]


1. Anciients - Heart of Oak

Speaking of riffs... Above I stated that virtually no one can bring the riff like Pyres. That's because Vancouver's Anciients put up some pretty stiff competition with Heart of Oak. But while Pyres grip your head in a vice, Anciients are more likely to expand your mind with soaring and epically crafted tunes full of endless riffs.

Intricately arranged and prog-fuelled songs make the elder gods proud. Clean tones and vocals move with fluidity between powerful sludge and phlegm-racked screams. Face-melting guitar harmonies warm the soul one moment while the next you'll be raising invisible oranges to the sky as if compelled beyond a shadow of resistance.

With the shortest proper track still over six minutes, Anciients take the listener on a sonic journey on each and every one. Where the sea and the mountains meet these extremely talented musicians make Heart of Oak as flowing as the waves and as solid and timeless as the Rockies. I'm really surprised Heart of Oak isn't getting more high-level praise this year as this debut is as near to flawless as it gets. Favourite track: "The Longest River".


[Go to the post to view the Bandcamp player]



A few other Canadian releases from 2013 well worth checking out:

Funeral Circle - Funeral Circle - Great trad doom.
Adoran - Adoran - Experimental ambient doom drone
Thrawsunblat - Wanderer on the Continent of Saplings - blackened folk metal, or folkened black metal? I'm actually just getting to this one but it's immediately rewarding.
Black Wizard - Young Wisdom - hard rockin' psych metal
Iron Kingdom - Gates of Eternity - straight up NWOBHM worship


Zamaan's Best of 2013

$
0
0
Written by Zamaan Raza.


My listening was diffuse this year, and included a lot of things that weren't metal, so it was trickier than usual to come up with a list of 10. Apologies for number 1, I don’t think it’s available on Bandcamp, let alone any modern format, but it’s by far my favorite of the year.


10. Csejthe - Reminiscence
[Go to the post to view the Bandcamp player]


9. Bolzer - Aura
[Go to the post to view the Bandcamp player]


8. Woe - Withdrawal
[Go to the post to view the Bandcamp player]


7. Inquisition - Obscure Verses for the Multiverse
[Go to the post to view the Bandcamp player]


6. Deafheaven - Sunbather
[Go to the post to view the Bandcamp player]


5. Blut Aus Nord - Liber III
[Go to the post to view the Bandcamp player]


4. Seidr - Ginnungagap
[Go to the post to view the Bandcamp player]


3. Castevet - Obsian
SoundCloud


2. Hivelords - Cavern Apothecary
[Go to the post to view the Bandcamp player]


1. Lake of Blood - Omnipotens Tyrannus
SoundCloud

Justin C's End of Year List

$
0
0
Written by Justin C.

When I was in high school, I was a pretty serious alto sax player. I auditioned for quite a few competitions--district band, regional band, honors band, etc. That meant spending lots of time in basement practice rooms in other schools, soaking up the aroma of sweat and emptied spit valves, spending a last few minutes trying to perfect some horrible, atonal piece of audition music I'd practiced for months, a piece that served no musical purpose whatsoever, but rather tested our technical limits with our instruments. I lost more than I won. There was an alto phenom in the next school district over, and he often talked to his saxophone. How could I beat a guy who could converse with his horn?

What I finally learned from all of the trials and tribulations is that there is no quicker way to kill the joy of music than to turn it into a competition. So what am I doing now? Compiling a list of the best music of the year. To alleviate my guilt, I'll at least forgo the actual rankings and present them as an unordered list.


Gorguts - Colored Sands.
Artwork by Martin Lacroix

There were some big releases in death metal this year, including Portal, Ulcerate, Immolation, and the long-awaited return of Carcass. All good albums, but in my humble opinion, none of them could touch the new Gorguts in terms of strange beauty and savagery. It didn't hurt that head Gorgut Luc Lemay was so nice to me in spite of my hack interview skills.


[Go to the post to view the Bandcamp player]


Shining - One One One.

Saxophone! Jazz! Metal! This album is catchy as all hell, and it still has me running around yelling, "YOU WON'T FORGET!"


[Go to the post to view the Bandcamp player]


Deafheaven - Sunbather.

There was plenty of talk about this album, e.g., "It's hipster metal!" or "I hate the vocals!" or "I hate pink!" In the end, though, my abiding memory of this album is listening to it for one of the first times while driving far too fast down a backroad just after a rain storm, "Dream House" blaring away, making my cold, dead heart feel all kinds of feelings.


[Go to the post to view the Bandcamp player]


Sandrider - Godhead.

A power trio in every sense of the word, Sandrider's second album delivers all of the gut-punching metal of their first release, while expanding their sound. Yeah, it toes the line between hard rock and metal--it's certainly less extreme than what I usually cover--but it deserves to be played loud and screamed along with.


[Go to the post to view the Bandcamp player]


Batillus - Concrete Sustain.

Batillus mixed their sludge with a heavy dose of industrial for a sound like a sledgehammer. Like Shining, this one will get stuck in your head, and who doesn't like barking, "SUSTAIN AND DOMINATE!" at their coworkers? You'll spend a lot of time in Human Resources, but you'll also get uninvited from a lot of meetings.


[Go to the post to view the Bandcamp player]


Botanist/Palace of Worms - The Hanging Gardens of Hell/Ode to Joy.

I was torn between this one and IV: Mandragora, but as excellent as Mandragora is, I think this split edged it out. It's hard to imagine someone doing a cohesive split with the bizarre and beautiful Botanist, but one-man band Palace of Worms pulls it off. This is a split that sounds more like a whole album.


[Go to the post to view the Bandcamp player]


Altar of Plagues - Teethed Glory & Injury.

I was surprised to learn, in a comment thread on this very site, that this album was somewhat controversial. I couldn't imagine how one could overlook its brilliance, and I was saddened to learn so many people are wrong. Maybe it's a matter of expectations--Altar of Plagues kept only traces of black metal and mixed in industrial and grinding noises from outer space, but maybe I was also primed to like it because of the similar shift in Batillus's sound. Either way, this album haunts me. I won't go so far into crazy talk as to say it's better than Mammal, but maybe...


[Go to the post to view the Bandcamp player]


Seidr - Ginnungagap.

Austin Lunn of Panopticon also has a doom band, Seidr, and their newest is simply brilliant. Expansive, immersive, and incomparable. Sadly, it's not buyable on Bandcamp yet, but buy the two-CD set. Just do it.


[Go to the post to view the Bandcamp player]


Non-Bandcamp Metal Albums That Deserve Mention

Hail of Bullets - III: The Rommel Chronicles
Cult of Luna - Vertikal


Albums That Likely Would Have Landed on My List if They'd Arrived Earlier in the Year and I'd Spent More Time With Them

[Go to the post to view the Bandcamp player]

[Go to the post to view the Bandcamp player]


Non-Metal Albums I Dug This Year

Zola Jesus - Versions
The Cave Singers - Naomi

[Go to the post to view the Bandcamp player]


Is This Album Metal or Non-Metal? Who Cares Its Awesome

Alice in Chains - The Devil Put Dinosaurs Here


Best Bandcamp of a Classical Guitarist Who Happens to Write Reviews for Metalbandcamp

[Go to the post to view the Bandcamp player]


Craig - Ten Triumphs From 2013

$
0
0
Written by Craig Hayes.

I can’t speak for the other contributors here at Metal Bandcamp, but my motivation for being here is pretty straightforward. I’m here to write about great bands that we all get to enjoy thanks to Bandcamp’s success, and I’ve certainly ended up with another huge catalogue of fantastic releases from spending endless hours lurking on the site in 2013.

That leaves me with a pile of bands I could highlight in my final post this year, but rather than repeat myself, I’ve plucked ten triumphant releases I haven’t had the opportunity to write about in 2013. Before you dig into the list, I wanted to pass on my thanks. Metal Bandcamp obviously doesn’t exist without its loyal readers, and it’s been a privilege to write here this year and have my name appear alongside fellow scribes who are vastly more knowledgeable and articulate than I’ll ever be here.

Cheers to you all, and, of course, tip of the hat to Metal Bandcamp overlord Max for allowing me to ramble on and on and on this year. Merry Anti-Christmas. I hope 2014 is filled with more sonic mayhem for you all, but before it continues, here’s a few ear-splitting delights from 2013.


Seizures - The Sanity Universal.

I might as well start with an album I only acquired recently thanks to another A+ recommendation from my compadre (and occasional Metal Bandcamp contributor) Dean Brown. Californian band Seizures make a hellish racket combining incandescent metallic hardcore with flashes of experimentalism and math rock. Of course, the clue to what you’ll find is in the band’s name, and The Sanity Universal is seizure-inducing, all round.


[Go to the post to view the Bandcamp player]


Stallion - Mounting the World.

German trio Stallion travel back in time to the exact point where heavy metal injected that extra dose of velocity to see a slew of speed metal steeds race ahead of the herd. Mounting the World is a stampeding six-string gallop across old school pastures, and best of all, it kicks ass like a fittingly testosterone fuelled beastie.


[Go to the post to view the Bandcamp player]


Hawkeyes - Poison Slows You Down.

Featuring a four guitar line-up, Hawkeyes set to exploring acid and space rock with down-tuned abandon on Poison Slows You Down. Deep cosmic doom abounds on the album, with mammoth and monolithic tunes that dig deep into tone and texture channelled through flaming amps. Tune in, drop out, and plummet into the psychedelic abyss.


[Go to the post to view the Bandcamp player]


Blackrat - Whiskey and Blasphemy.

Canadian trio Blackrat released a lo-fi burst of blackened thrash and punk with Whiskey and Blasphemy this year. Expect cut-throat vocals and buzzsaw riffs, all backed by the kind of raw and hell-hammering intensity that’s only ever found in the most perfectly putrid pits of the underground.


[Go to the post to view the Bandcamp player]


Kröwnn - Hyborian Age.

Kröwnn’s Hyborian Age was one of many, many enjoyable and promising demos I stumbled upon this year. The Italian doom trio wielded hefty riffs, drew its lyrics from fantasy authored works, and the band’s methodical trawls brought all the requisite weight and psychotropic pummel.


[Go to the post to view the Bandcamp player]


Caffa - Day of Disease.
Cover art by Jose Gabriel Angeles

I don’t know who first tipped me off about Caffa’s Day of Disease, but if it was you, I owe you a debt of thanks. Day of Disease was an absolutely fetid crawl through trenches of sonic excrement, with the kind of blackened doom and death metal that’ll leave a stain, and more importantly, a horrendous stench on your soul. (Caffa's Bandcamp is streaming only).


[Go to the post to view the Bandcamp player]


Druidus - Bestial Crust Demo MMXIII.

Druidus’s Bestial Crust Demo MMXIII was about as caustically raw as you could hope for, with the iniquitous sonics and devilish thematics situated right up front. Death metal met black metal at the altar of unholy worship on the demo, leading to a frenzied and uncompromising fight to draw first blood.


[Go to the post to view the Bandcamp player]


Thrawsunblat - Thrawsunblat II: Wanderer on the Continent of Saplings.

Magnificently epic black metal featured on Thrawsunblat’s Thrawsunblat II: Wanderer on the Continent of Saplings this year. Replete with varying strains of black and folk metal interweaving throughout, and spilling over with heart-swelling melodies, Thrawsunblat II: Wanderer on the Continent of Saplings was, pretty much, perfection.


[Go to the post to view the Bandcamp player]


An Autumn For Crippled Children - Try Not to Destroy Everything You Love.

An Autumn For Crippled Children are a three-piece experimental black metal band from the Netherlands, and if there was any justice in this world, Try Not to Destroy Everything You Love would be sitting high atop all those end of year lists in ’13. It was a magical, majestic, and wholly breathtaking album, filled with melodic waves of beautifully understated orchestral flourishes.


[Go to the post to view the Bandcamp player]


Young Hunter - Embers at the Foot of Dark Mountain.

Psychedelic drone, alt-country, and stoner and indie rock all mixed with doom metal on Young Hunter’s Embers at the Foot of Dark Mountain EP this year. Vast clouds sweeping down over dustbowl vistas featured, with a steely precipitateness decelerating into bucolic, tumbling laments. Young Hunter’s 2012 debut, Stone Tools, was an impressive debut, and Embers at the Foot of Dark Mountain signals even more awe-inspiring landscapes set to be explored in the future.


[Go to the post to view the Bandcamp player]

Melencolia Estatica - Hel

$
0
0
Written by Natalie Zina Walschots. Originally published here by Exclaim.


Black metal is often a solitary pursuit, as there's something about the gelid, tortured song structures and grim, isolationist themes that often draw artists who desire complete creative control. Sombre and atmospheric, Italian act Melencolia Estatica are primarily the work of a single woman, Climaxia (Absentia Lunae), who performs all of the instruments and is responsible for all compositions (with additional vocals from Afthenktos).

Hel's mood is grim and funeral, and the production complements this, sometimes as clear as a tolling bell, at others shrouded as if through a veil. It's also a concept album, following the narrative of Fritz Lang's 1927 dystopian opus, Metropolis, about the idea of a city transformed into a massive machine and a pointed critique of classism. The songs have a gritty greyness to them, as merciless as Metropolis's towering skyscrapers, and the churning pace evokes the misery of labour and hopelessness. This is a skilfully wrought and intelligent album, as wounding as it is well planned.


[Go to the post to view the Bandcamp player]


Geryon - Geryon

$
0
0
Written by Matt Hinch.


Geryon bassist/vocalist Nick McMaster and drummer Lev Weinstein are best known for their work as the rhythm section for Krallice. But in Geryon they are the only members. That's correct. This project is a bass and drum only musical connection. While being touted as death metal, their self-titled release is tied to the conventions of genre by the thinnest of threads, namely Weinstein's incessant percussion and McMaster's forceful roar loaded with the intent to stun. The bulk of Geryon then is left to wild experimentalism and atonality.

Nothing is straightforward as chaos in its many forms reigns supreme. Shades of malice rise and fall, curling around thick and skronky bass lines. At times everything sounds at odds with everything else, as if two (or more) forces desperately attempt to follow their own circuitous paths yet find themselves pulled together if only momentarily. It's as if some powerful entity is continually smashing together malleable forms of sound like neutrons in the LHC and interpreting the results like a twisted auditory Rorschach test.

One feels the need to continually look over their shoulder as a deep background and off-kilter timing keep the listener off balance creating a feeling of dread and paranoia. McMaster spins those webs of deceit while Weinstein's percussion keeps the mind rooting in the present, preventing the tendency to drift off to places unknown.

The bass growls like a beast while the pull-offs poke and provoke, sending the consciousness into headlong flight. Wide-eyed and with reckless abandon, the listener is chased towards the abyss, pushed over the edge by waves of crashing malevolence. Thrashed and broken, falling to unfathomable depths into an obsidian pool. Sinking deeper and deeper inward, space and time are warped around quasi-theoretical frequencies until being swallowed by Geryon's vast vision, decadently rich in darkness.

Geryon is demented and misdirecting, tossing the listener around effortlessly, lifting and dropping, squeezing and releasing. Dark flames burn slow and hot, leaving you scarred and gasping for breath yet unable to pull away. Fall into the chasm and let Geryon's wings carry you.


[Go to the post to view the Bandcamp player]

Eternal Khan - A Primitive History

$
0
0
Written by Kevin Page.

Artwork by Ultrabat

I'm generally "anti" most of the things from the New England area and for good reason (Red Sox, hardcore, annoying accents), but let me take off my curmudgeon hat for a moment to wax poetic about something positive for a change.

Eternal Khan, from Providence, Rhode Island, play a mix of blackened frostbitten thrashy death doom. And it even has a certain "warmth" to it.  Yeah, its sounds like crazy talk no doubt.  But that's the best description I could come up with.  The blending of these styles all works without feeling out of place or "shoehorned" in there for the sake of doing so.  I'd even go as far as saying there's some originality to boot.

They released a 2 song demo in 2012 and this 4 song EP in 2013 (if you grab the CD version, you get all 6 tracks).  Full length album is being worked in for a 2014 release (knock on wood).  It should prove interesting.


[Go to the post to view the Bandcamp player]

Ignis - Sic Transit Gloria Mundi - II - Phaeton

$
0
0
Written by Aaron Sullivan.


Just when I thought I had mined all that I could find in 2013 I stumble upon some Russian Post-Black Metal courtesy of Ignis. As if that weren’t enough I find on their bandcamp they have released three albums in 2013 all showing different facets of their sound. And as an added bonus they are all free for download.

The first album is Sic Transit Gloria Mundi (latin for "thus passes the glory of this world"). Three songs of soaring Post-Black Metal. Two of them hits the 12 minutes mark, allowing the music to shift and explore from roaring Black Metal to Post-Rockish mid sections. Drums are fast and heavy while guitars furiously keep pace. The vocals sound like rasped wails of torment. The ending of the third song hinting at their Ambient influences (which we will get into later). At times you get a slight hint of Deafheaven in the way they balance the Black and the Post.


[Go to the post to view the Bandcamp player]


Next up is II. This is where they let their Hardcore influenced Black Metal flag fly. Songs are shorter and go straight for the throat. These are songs made to get the pit moving and heads bobbing.


[Go to the post to view the Bandcamp player]


The third album, Phaeton, is the curve ball. Though hinted at in the first album as I said before. This is a full blown Ambient noise album. Consisting of two songs, "Dream" and "Decay", they bare a strong resemblance to the work of Dark Ambient master Lustmord. As the song titles would suggest "Dream" is the more subtle of the two songs while "Decay" is the more sinister and harsher of the two. But both have that underlying creepiness that Dark Ambient does so well.


[Go to the post to view the Bandcamp player]


It’s one thing for a band to have many influences. It’s not uncommon for bands to show those influences over several albums. But it is quite another to do it in three albums in one year and for all those albums to not only be able to stand on their own, but to be well done and still feel like they are from the same band. That is quite an amazing feat. I love the ambitious nature of this band. Who knows what they will do next?


Woebegone Obscured - Marrow of Dreams

$
0
0


I, Voidhanger Records has opened a Bandcamp page. Among the albums available you can find Marrow of Dreams, the new release from Danish band Woebegone Obscured. Metal Archives touts them as 'Blackened Funeral Doom/Death Metal' and the PR material lumps them together with Disembowelment, Evoken and Thergothon. This is both right and wrong. Woebegone Obscured is obviously funeral doom, blackened and death too; But the tempo is generally a little higher, and Woebegone Obscured doesn't seem so intent on crushing you under the weight of the music as those three bands (The very non funeral doom cover might also be a giveaway there).

The songs on Marrow of Dreams are like progressive funeral doom symphonies. They cover a lot of ground and touches more genres than the aforementioned. Goth metal. Progressive metal. Traditional doom. Jazz and flamenco even. All the time there is an underrunning current of dissonance (both in playing and feeling) and disquiet. Which makes sense considering that the album is inspired by main man Danny Woe's "long period of time that lead him to deep depression, to a paranoid/schizophrenic disorder diagnosis, and to a seemingly timeless stay at a mental hospital". Danny is listed as sole vocalist and he utilizes a vast range of styles - from death growls and blackened barks to wavery cleans - to tell his tales of, well, woe.

The production is clear and layered, you can pick out every instrument. Which makes sense, there is a lot to listen to. That also goes for the length of the album, it clocks in at 80 minutes. Which may be too long, at least I could have done without the second song "Vacuum Ocean". It is less adventurous, more plodding, than the others and suffers somewhat from it. The wavery cleans are overdone, and the 'sounds of waves lapping at the shore' thing so clichéed. Plus points for the unhinged blackened vocals, and the weird noises Danny produces near the end though. But besides that Marrow of Dreams is a successful release. The playing is top notch and there's so much going in the songs that your interest never wanes. The many transitions never seem forced, which is paramount in making long, complex, and slow songs work. This is not the harshest doom you'll ever hear, nor the most extreme, but it's pretty damn interesting.


[Go to the post to view the Bandcamp player]

Myopic - Beyond the Mirror's Edge

$
0
0
Written by Matt Hinch.


The press release for Beyond the Mirror's Edge by Myopic presents the 3-piece as progressive black metal. I myself would tend to lean more towards the progressive than black after hearing this 4-song EP. The foundations of black metal are there, but Myopic don't sit still long enough to entrench themselves in the mud and blood of one genre.

The second track however, "Iron Towers" holds truest to black metal standards with a hack 'n' slash approach and plenty of tremulous guitar work. But even it lays back later in the track. Although, even it works its way into an almost jaunty place with some Les Claypool-inspired bass and post-metal touches to go along with the dark atmosphere. As black as Myopic, and this track in particular may be, its not an oppressive black. It remains quite open, making the transition into other genres not as out of place as they could be.

The title track is relatively sludgy but with plenty of drama provided by the progressive moments. While the overall tone isn't necessarily heavy, it has a nice flow. It moves back and forth between the edgy sections and the more melodic, like an artist in the throes of creativity, working furiously one moment then stepping back to observe and contemplate.

Myopic's diversity is on full display during "Backstitch", an entirely instrumental track. Prog mixes with USBM and doom. Soaring guitars nestle close to post-hardcore. The track twists and turns and the listener finds themselves in many different places as the track goes along. There's swing, a paranoid feel, hard notes, upbeat ones, and screaming ones. It's definitely the sort of track that lets the winds of fate determine its course.

Final track "Lord of Damnation" might be the most eclectic of them all. Imagine a mash-up of Primus and the Toadies with rock and roll swagger and pseudo-blackened screaming. It's spastic, light-hearted yet menacing, and often off-kilter.

Myopic come across as a band with plenty of talent who definitely pay attention to the intricacy of their arrangements. It all sounds good and crisp without a cut-and-paste feel. Your ultimate impression therefore depends on whether you regard their unorthodox black metal menagerie as a band refusing to confine themselves to genre restrictions, or as a band unsure of its identity. Everything they do they do well, and it can be crazy catchy. Trust me. I guess it all depends on how open your mind is.

Bet you never thought you'd hear "black metal" and "Toadies" in the same review, did you?


[Go to the post to view the Bandcamp player]

Porta Nigra - Fin de Siècle

$
0
0
Written by Majbritt Levinsen.


I’ve had a hard time figuring out how to describe Porta Nigra’s sound and style, the music awakes a turmoil of feelings and thoughts that are hard to grasp and translate into words. It is a bizarre, dark, feverish nightmare, that is melodic and strangely enjoyable. This is avantgarde black/dark metal wrapped in a gothic veil. But this quote from Debemur Morti Productions own description of the release is quite spot on: "...A dark and bizarre smorgasbord of degeneration, PORTA NIGRA draws inspiration from a myriad of sources to conjure a sound that has a life of its own."

If we look to the title Fin de Siècle and the imagery the band has created around themselves, Porta Nigra have managed to translate the essence of the degenerated mentality from the end of 19th century, when boredom, pessimism and decadence began to show in literature and arts, into music. I can easily imagine myself in a smoke filled room with heavy curtains blocking out any sun- or moonlight, where hazy silhouettes of well dressed bodies eat,drink and enjoy themselves, not caring for the world outside. Bodies lazily hanging in well padded chairs and chaises, slowly sipping liquor from delicate glasses, cigarettes smoking themselves in lifeless hands while internal monologues troubles the mind of its owner. Self loathing and self admiration going hand in hand.

Porta Nigra resides in Germany and the lyrics are both in German and English. The bands two members Gilles de Rais (Guitar and Bass) and O (Drums and Vocal) have managed to create something new, to me at least. I have to say that even though I like this album, it does give me an unsettling feeling in my guts. It must be the darker undercurrents that flows under the songs and the eerie dark lyrics. It is not music you listen to when you want to get in a good mood, that is for sure.


[Go to the post to view the Bandcamp player]

Drudkh - Eastern Frontier in Flames - Thousands of Moons Ago / The Gates

$
0
0


Two new albums has just been released on the Drudkh Bandcamp. Eastern Frontier in Flames is oollection aimed at Drudkh completists. It contains the 2007 EP Anti-Urban, the 2010 covers EP Slavonic Chronicles, and a little surprising, the three Drudkh tracks from the Thousands of Moons Ago / The Gates split with Winterfylleth. That split being the second album released today.

There can be many different reasons for bands to participate in a split album. In the case of Drudkh and Winterfylleth the goal is to pay tribute to some of the bands that influenced them. Drudkh turns in three covers of fairly obscure songs from the nineties Eastern European black metal underground. And Winterfylleth covers "The Gates" from Drudkh mainman Roman Saenko's now defunct band Hate Forest.

While not really polished this is not raw frost-bitten black metal. The songs are well crafted and have a epic, almost uplifting quality, mainly coming from the memorable melodies and a judicious of keyboards. Of course the war drums and horns of "Ten, který se vyhýbá světlu" also helps on that account. "Recidivus" and Winterfylleth's version of "The Gates" are the faster tracks and are both particularly soaring black metal anthems, This is a split that delivers many of the things I enjoy in black metal.


[Go to the post to view the Bandcamp player]



As mentioned this collection is really only for Drudkh completists. That said the tracks from Slavonic Chronicles are quite lovely (and continues the covers theme from the split). The folk tinged "Tam Gdzie Gasnie Dzien" is good, and the more progressive "Indianska Pisen Hruzy", with the bleepy keyboard intro and the mournful guitar solo, is a standout. Pro tip: Eastern Frontier in Flames is selling for $9.99, but you can get all seven songs individually for $0.99 each! (or just pick up the Slavonic Chronicles tracks like I did).


[Go to the post to view the Bandcamp player]


Dead Existence - Born into the Planet's Scars

$
0
0
Written by Justin Petrick.


It is very rare that a 2 song 27 minute EP could produce so much dread and melancholy but Born into the Planet’s Scars does just that. The heavy tone to them it is almost like an anvil on your chest. The feeling I got the first time I heard the album was scared. Not in a bad way, but the heaviness and doom where these songs live feels so strong coming through the speakers, that it almost drowns you. As “Down the Crooked Path” powers right into the main riff, any thoughts of a calm calculated journey through the song is shattered. From the first bit of feedback you realize wretchedness is apparent.

Photo by Elke Teurlinckx (Flickr)

Dead Existence moves fluidly between sludge, doom, death and even thrash. Keeping the listener hooked through the confident and well mapped out songs and the solid musicianship involved. With minor chord and tempo changes they take you on a long drawn out journey into the vast and desolate wastelands of the world they inhabit. There may not be a darker, scarier place than that which Dead Existence introduces you to on Born into the Planet’s Scars.


[Go to the post to view the Bandcamp player]

Ghost Bath - Ghost Bath

$
0
0
Guest review by BreadGod from The Autistic Metalhead


What's this? A depressive black metal album that's actually... good? That's right, ladies and gentlemen. This is Ghost Bath, or as they are known in their native tongue, 鬼浴. They hail from China, and their self-titled debut EP just blew me away. Whenever I write off the depressive black metal genre as dead, a band from China comes along and prove me wrong.

What really makes these guys stand out from the crowd is how they fuse depressive black metal with post metal and give it a heaping dose of melody. The drums offer up a really diverse performance. They range from simple mid-paced rhythms that are influenced by post metal to rapid blast beats, and they even include plenty of double bass that helps to create an overwhelming atmosphere. I swear, their performance almost reminds me of Austere. I especially love how powerful the snare sounds. You can't imagine how hard it is to find depressive black metal drums that sound this powerful.

You want to know what's even better than the drums? The guitars. Unlike the rest of the depressive black metal scene, they spend far less time on sounding as sad as possible and more on offering up good riffs. These riffs sound really melodic and manage to sound both dark and graceful at the same time. It reminds me of Nontinuum's latest work. I also like the handful of solos they include here. I can't figure which band they remind me of, but they sound powerful and beautiful at the same time. They're quite a wonder to behold. They even include some post metal-inspired clean guitars that offer up a nice change of pace.

I also like their inclusion of piano. It's not the fanciful neoclassical piano that Gris plays. Instead, the piano performances on this album are simpler and more subtle. Their focus is on building atmosphere. Listening to their performance makes you feel like you're walking through an empty park on a cold fall day. There are also a few times when they're played alongside the metal in a way similar to Austere. This is especially obvious on the song “Lust”.

The one part of the band's performance that may irritate a lot of people are the vocals. They mainly consist of high-pitched screams that are full of agony. Some people might say that he sounds like a cat that's getting strangled, but if you ask me, his performance reminds me of Silencer. In short, the vocal style might take some getting used to, but they fit the music perfectly.

Ghost Bath is one of the most promising bands I've heard in a long time. I know I say that about many other bands, but I really mean it this time. I love their fusion of depressive black metal and post metal. I love their implementation of melody. I love their simple but beautiful piano pieces. These guys definitely deserve more attention, so go to their Bandcamp page and download their album now. I'm confident that you'll love it.


[Go to the post to view the Bandcamp player]

Interview - The Hanging Gardens of a Botanist.

$
0
0
After Justin C's review of the Botanist / Palace of Worms split The Hanging Gardens of Hell / Ode to Joy, we got a request to give the English version of the following interview a home. The original Italien interview was conducted before the split was released by Andrea Minucci for Begraven Mot Norr.

Photo by Milton Stille

The last time we spoke was in 2012, when we discussed Botanist’s first two releases. More than a year later you have four albums, some live performances (with Wreck and Reference, Grayceon and Pale Chalice among others), a planned tour around the West Coast (even with Agalloch) and a forthcoming split with Palace of Worms. Things seem to be going pretty well.

Hello and nice to speak with you again. Things are going very well, indeed. The split album will have been released by the time this interview posts. It’s great to have the opportunity to work with artist Roberto Høyem for the cover image. I’ve been a fan of his since I saw the art for Fyrnask’s Bluostar.

What makes me really glad for you is that now you are running the stage, how is it going?

We couldn’t have asked for better touring mates for our first time out on the road than Behold... the Arctopus. They were professional and pleasant, and kept great attitudes and high performance values even when they all became quite ill on tour. Our trip was proof that Botanist is an effective live band with an already developed show, and that the music translates well to the stage.

One of the questions of the last interview was about your plans about hypothetical live shows, your answer was,”by ‘plan,’ let’s say it’s being worked on. The demand is definitely there. What is needed are people to play dulcimer. Two are necessary (at least), as well as a bass player and someone to play harmonium, but the real key are the two dulcimers. I would play drums and do vocals. It would be welcome to have a live line-up for Botanist to tour with. The only thing that would help is to spread the word of this request. Maybe some day…”can you talk about the other members of the band and how you met them?

I’m glad to say that it was by broadcasting the will to make Botanist a live band that led it to coming true. One D. Neal read one such interview and contacted me. It seemed from the outset that he would be an excellent fit, but it wasn’t until he recruited his friend R. Chiang to fill the 2nd dulcimer’s part that the ball really started to roll.

I’ve known vocalist/harmonium player A. Lindo for years. Both he and touring bassist Bezaelith are on the Allies disk that comes with Botanist III. Bezaelith isn’t able to tour further, so we are lucky to have Balan from Palace of Worms playing bass for us.

Plants from Biodiversity Heritage Library

Did you find any particular difficulties bringing your music on stage?

The biggest difficulty was trying to figure out the technical issues to having the world’s first distorted hammered dulcimers on stage. Since no one makes electric hammered dulcimers, we had to have our own invented by having magnetic pickups adapted for the instruments. We’re still refining this sound and system.

Do the other members are just live-members, session members, or Botanist will play as a band even in your next albums?

I have a plan to gradually integrate the members of the live band into the recording studio, which began when I had D. Neal and R. Chiang write an intro for our live shows. Perhaps by album “VII,” we will have a credited line-up featuring an entire band. Anything prior to that is unfortunately impossible as all those records have already been completed.

I've read on The Flenser's website that is ready a Split album with Palace of Worms, how this collaboration was born?

The seed was planted in 2011 when I asked Balan if he wanted to do a split. It seemed like a nice way to promote the material of the latest wave of Bay Area black metal artists.

How will these songs be part of Botanist’s main concept?

There are two immutable aspects that will be featured in Botanist’s work forever: that the songs are about plants and feature dulcimers. “The Hanging Gardens of Hell” was the original intended title for the first Botanist full-length, which was then changed to “The Suicide Tree” based on the strength of the image of the Cerbera Odollam. The concept of this first EP is that all the plants presented are hanging plants. There are two more songs from the EP that were cut out so Botanist’s side could fit on one half of an LP. Those extra songs will be released at some point in the future.

Photo by Alvashredd

Somewhere I did read that you changed the number of albums you first planned for your project. I remember, but i might be wrong, that at first you planned to do only five albums.

Your memory is half right. I had once said, around the time when five albums were completed, that if there would be a foreseeable end, it would be at album ten, largely because I liked the idea of “X” being the final Botanist. But I also said that wasn’t set in stone and the amount of planned material could change. At this time, there are six recorded full-lengths, and something like five recorded EPs, and the concepts for albums “VII,” “VIII,” and “IX” are in place. Demo versions of the seventh album are currently being written and recorded. “VII” will be Botanist’s most conceptual album, perhaps of all of them.

Can you please tell us what are your plans for the following Botanist's albums? How are you going to develop the concept?

We’re thinking about skipping the release of “V” and going straight to “VI,” as everyone in the band thinks that “VI” has not only better songs, but is the best available progression from “IV.” I personally feel that the emotional space that “VI” is in is a better reflection of where Botanist is philosophically at this time... and those songs will come over better live, too. Both “V” and “VI” are not particularly remarkable conceptually as far as going along with any form of a story. It’s more the progression of the sound of “VI” that makes it an interesting successor. Again, it won’t be till “VII” that those looking for a deep thematic concept will come about again, and I can promise it will be the most philosophically developed one.


[Go to the post to view the Bandcamp player]

Slaughterday - Cosmic Horror

$
0
0
Written by Kevin Page.

Artwork by Thomas "Necromaniac" Westphal

If there's two things we don't really need more of these days, it's: another old school death metal band and a death metal band from Germany. Seriously, Germany has more bands than Finland these days (or so it seems). Is it possible that everyone who listens to metal in Germany is in an actual band?

Anyways, after saying that, ignore it. Slaughterday, a German 2 piece, playing old school Swedish death metal, pull it off marvelously. This four song demo was apparently just a teaser of things to come. As I typed this review I noticed they released a full length album on December 6, 2013 through F.D.A. Rekotz (two of these four songs are on the full length).

Chock full of down tuned buzzsaw riffs and fat bouncy bass, what makes them stand out from the pack is actual memorable songs. So many retro bands mire the same tired well with tunes that go in one ear out the other. "Cult of the Dreaming Dead" may be the catchiest and best death metal song of the year to boot. "Cosmic Horror" isn't far behind as well. It's no small surprise those are the two songs that were carried over to the full length.


[Go to the post to view the Bandcamp player]

Indian - From All Purity

$
0
0
Written by Justin C.


When I was trying to figure out how to sum up Indian's new album, From All Purity, the usual phrases from the Metal Description Thesaurus weren't working for me. Is it a "gut punch"? An "explosion"? Is it "pummeling"? "Stomping"? "Scarring"? Well, all of those could true at different points on the album, but I think i finally figured out the best way to sum it up: From All Purity is like being smothered. With lava.

Metal fans aren't typically daunted by music that's challenging or not immediately accessible, but Indian doesn't pull any punches on this album. This is a blast of what I'll call blackened-doom-drone-sludge. The opener, "Rape," starts with a dissonant, droning mass of distortion punctuated by vicious, black metal-style rasps. The track doesn't even really bother to change chords for the first three minutes, as if the band's trying to scare off anyone who isn't hearty enough to come along on this hell-ride. The slow, three-chord main riff, when it comes, almost feels like sweet release compared to what proceeds it. The next track, "The Impetus Bleeds," doesn't offer much respite, unless the kind of respite you're looking for is being dragged into a cave against your will.

Photo by Metal Chris

"Directional" is probably my favorite track, and it's probably the closest thing on the album to a song with "traditional" structure. The slow, grinding riff is the soundtrack for Vikings coming ashore and destroying your village, and the bastardized version of the Golden Rule that shows up in the lyrics, "What's done to me, will be done to you!" feels less like a statement of triumphant revenge than a brutal act of retribution that offers no solace.

Make no mistake--this is a difficult album to get close to. It's disturbing and frightening, and there are very few pauses to catch your breath. "The Rhetoric of No" slowly devolves into vocals that sound like the snarling of a caged animal, and "Clarify" is a squealing horrorscape of brutality for your ears. The closing track, "Disambiguation," has a more welcoming, doomy feel, but you'll be well past your wits' end by the time you get there. I've listened to this album a lot recently in preparation for this review, and at times I felt like I was losing my mind.

Photo by Metal Chris

Saying something like that would be a brutal trashing of an album in most genres, but of course metal and metal fans often embrace the difficult and the ugly. Indian's last album, Guiltless, has a bit more variety and is easier to get your head around, and although the sonic elements from that album are still present here, the band has moved to a slower, more droning version of their particular band of viciousness. How fans react to the change will be more a matter of personal taste than any drop in quality on the band's part. This isn't an album you're going to play on repeat for days--it's just too ugly and bruising--but I suspect that it's one I'll come back to now and then, just to revel in the abuse.


[Go to the post to view the Bandcamp player]

Viewing all 1162 articles
Browse latest View live